Rod Poole began playing the guitar in 1972. He experimented with various musical idioms and by the mid-80s, his primary interests were acoustic-based free improvisation and finger-picked solo acoustic guitar. A founding member of the Oxford Improvisors’ Cooperative, Poole’s association was between the years 1983-1986. After moving to the United States in 1989, his studies in just intonation began with the world’s foremost theorist on the subject, Ervin Wilson. Poole spent the next several years developing his approach to playing the guitar using just intonation theory. Poole has released a handful of unique and highly praised CDs on the W.I.N., Transparency, and Incus labels – The Dead Adder, December 96, Iasis,and The Acoustic Guitar Trio. He contributed “Kalaidoscopic Sunday” to the Henry Kaiser-curated guitar compilation, 156 Strings, and “The Fire Left to Come” to the SASSAS two-CD set, Sound, a compilation of Los Angeles-based performances curated by Cindy Bernard. Poole was also responsible for engineering the recording of all but three of the performances on Sound. He has performed with Derek Bailey, Mia Masaoka, Joseph Hammer, Kraig Grady, Nels Cline, Donald Miller, Pat Thomas, Tony Bevan, Eugene Chadbourne, and others.