George Grella on recent Stravinsky boxes – sounds good to me.
Richard Taruskin had the honor and privilege of writing booklet notes for not one, but two important collections of Stravinsky’s music that were released last year. In Deutsche Grammaphon’s Stravinsky: Complete Edition, he summed up the composer’s rare stature with the following anecdote and analysis. Tarsukin writes that Vladmimir Ussachevsky told him:
‘…after crossing [himself] and rising from [his] knees in front of Arnold Schoenberg’s death mask in [Schoenberg’s] working room, [Stravinsky] turned to Mrs. Schoenberg and said “Now I am alone.” Who, you, who can say that now?’
It was a haunting question. There were still composers one admired, even revered. But Carter, Berio and Boulez were honored in one camp. Copland, Shostakovich and Britten were honored in another. Stravinsky was honored in both: his music was indispensably a part of the academic canon and the performing repertoire alike. People both praised it in the classroom and paid…
View original post 1,410 more words