1009794_10152985456310487_1203581702_n
Cream – Fresh Cream
Cream – Live Cream v2
Jaco Pastorius – Truth, Liberty and Soul
North Mississippi Allstars – Prayer for Peace
Billy Gibbons – Perfectacamundo
ZZ Top – King Biscuit Flower Hour 1980
Gene Bowen – the Vermillon Sea
John D’Earth – One Bright Earth
Sonny Stitt – Shangri-La
Sonny Stitt – Soul People
Max Richter – Three Worlds: Music From Woolf Works
David Starobin – Newdance
Henry Kaiser, S Kuriokhin – Popular Science
Matt Mitchell – Forage
Matt Mitchell – Fiction

…..and a big dose of Don Patterson and Carl Nielsen. 🙂

 

Advertisements

MV5BOTU3MTFiMzMtYTRmOC00MTc0LTllNmEtMmI4NWFjMTU5OGRmXkEyXkFqcGdeQXVyMjE5MzM3MjA@._V1_
Sylvie Courvoisier and Mary Halvorson – Crop Circles
DeJohnette, Grenadier, Medeski & Scofield – Hudson
Stacy Kent – Close Your Eyes
Anna Garbarek – Balloon Mood
Anna Garbarek – Briefly Shaking
Paco De Lucia Plays Manuel De Falla
Ginger Baker Trio – Going Home
Bill Frisell – Small Town
Ferenc Snetberger – Titok
Ron McClure – Yesterday’s Tomorrow
Lee Konitz, Paul Bley, Bill Connors – Pyramid
Contact, Live at Jazz a Porquerolles 2010
Johnny Winter – Johnny Winter
Johnny Winter – Second Winter

““Virtuoso” is used promiscuously, without much thought for the actual thing it is describing.

Here’s an example: Lang Lang is considered a virtuosic pianist. He plays at fast tempos and does so with a lot of demonstrative physical flourishes. He also has terrible technique, constantly fudging passages and in the times I’ve seen him unable to maintain a consistent pulse or tempo. I’ve also never heard any ideas from him, so his ability to play the piano and think about music are both questionable to me. There’s nothing I see in him that’s virtuosic, other than perhaps public presentation.

Then there are musicians like Oscar Peterson, or Jascha Heifetz, or Al Di Meola, who can play the hell out of their instrument but, to my ear and heart, do nothing more than spin out polished notes—they have nothing to say. Admiring their technique only goes so far.”

The Big City

Jaco Pastorius: Truth, Liberty & Soul

Order it from Amazon

“Virtuoso” is used promiscuously, without much thought for the actual thing it is describing.

Here’s an example: Lang Lang is considered a virtuosic pianist. He plays at fast tempos and does so with a lot of demonstrative physical flourishes. He also has terrible technique, constantly fudging passages and in the times I’ve seen him unable to maintain a consistent pulse or tempo. I’ve also never heard any ideas from him, so his ability to play the piano and think about music are both questionable to me. There’s nothing I see in him that’s virtuosic, other than perhaps public presentation.

Then there are musicians like Oscar Peterson, or Jascha Heifetz, or Al Di Meola, who can play the hell out of their instrument but, to my ear and heart, do nothing more than spin out polished notes—they have nothing to say…

View original post 875 more words

20160802_194952 Rahway Aug 2016

August 2016, Rahway, NJ

Gavin Bryars – Adelaide Town Hall
Toro Takemitsu – Rising Sun
The Film Music of Toro Takemitsu
Lou Harrison – Gamelan Music
Albert Manglesdorf, Jaco Pastorus, Alphonse Mouzon – Trilogue – Live!
King Crimson – Live in Argentina, 1994 DVD
Arve Henriksen – Strjon
Anthony Braxton, John Linberg – Six Duets (1982)
Baden Powell – Solitude on Guitar
Baden Powell – Apaixonado
Organissimo – Live, 2007 E Lansing Jazz Festival
Romeo Void – Warm, in Your Coat
John Stowell/Michael Zilber Qt – Shot Through With Beauty
John Stowell, David Liebman – Blue Rose
Paul McCandless – Heresay
Allan Holdsworth – Flat Tire

20150811_115833Ornette Coleman – Hidden Man
Ornette Coleman – Sound Museum Three Women
Sun Ra – Supersonic Sounds
Return to Forever – Where Have I Known You Before
Julian Priester – Love, Love
Gerald Garcia – Baroque Favorites
Gerald Garcia – Romantic Guitar Favorites
John Williams – Takemitsu Guitar Pieces
Lorenzo Micheli – Miguel Llobet Guitar Works
JosĂ© Luis MontĂłn – Solo Guitarra
Matt Mitchell – Roulette April 4, 2017
Evan Parker & Peter Kowald – Cottbus, 1979
Evan Parker & Dave Holland – Roccella Joni, Italy 1989
Tyshawn Sorey – solo piano – at JACK, Brooklyn – July 20 2015
Button Trio (Stephen Haynes, Joe Morris, Tyshawn Sorey) – at The Stone, NYC – July 30 2014
Ches Smith Trio, Winter Jazz Fest, Friday, January 10, 2014
Matthew Shipp Trio – at Vision Festival 19 – Roulette, Brooklyn – June 14 2014

Claude Debussy mediumBill Frisell – Before We Were Born
Anthony Braxton – Trio & Duet
Anthony Braxton – Nine Duets (1993)
Anthony Braxton – Creative Music Orchestra (Koln) 1978
Anthony Braxton – Composition No. 165 (for 18 Instruments)
The Microscopic Qt – Lobster Leaps In
John Stevens with Allan Holdsworth – Re-Touch
Levin Torn White
Ran Blake – Suffield Gothic
Ran Blake – Short Life of Barbara Monk
Ran Blake – Grey December, Live in Rome
Konrad Ragossnig – Lute Music of the Renaissance
Andrew Hill – Change
Julia Hulsman – Sooner & Later
John Clark – Faces
Sam Rivers – Streams
Tempest – Tempest
Paul Motian – Psalm
Don Thompson Quartet – Winter Mist
Cecil Taylor – Berlin Jazztage 1969 with Sam Rivers and Jimmy Lyons
Sam Rivers – an Evening in Hamburg 1979
Roger Powell – Cosmic Furnace
ScoLoHoFo – Oh!
Frank Zappa – Meat Light: The ‘Uncle Meat’ Project/Object Audio Documentary

13903299_10208773200900449_850516844019938816_nAfternoon, Easter Sunday 2017…I’m sitting at my desk scrolling through Facebook and I see a nice photo of Allan Holdsworth sitting on the floor with his two daughters and a granddaughter, holding his guitars. Sweet, then I’m totally shocked to find Louise Holdsworth letting us know Allan passed away, only 70.

Like many other guitarists of my generation, when I first heard Allan, I knew he was different. He redefined what a guitar sounded like, magic chords shimmering with electricity and solo lines snaking away from already ambiguous harmony.

One post high school week, both the Bruford and UK albums showed up at the local record store and since I was keeping track of Bill Bruford’s band hopping after leaving both Yes and King Crimson…these were mandatory purchases.  Holdsworth’s fast lines were already legend to some, but suburban David hadn’t heard them yet…this was outta sight, guitar far removed from the blues rock of my early teen years. Eventually I became familiar with his earlier music, appearances  on albums by Tony Williams, Soft Machine and others.

Eventually the new IOU album with it’s black cover also showed up and introduced us to another new sound, his fresh intuitive harmony…many of his chords a stretch from what most guitarists could reach. I’d never heard anything like it before.

By the time I got to hear the Bruford band in Asbury Park at the Fast Lane, Holdsworth was outta the group, replaced by John Clark. Finally I caught Allan at the Bottom Line, NYC. He was talking to someone in front of the stage before the show, so I shook his hand and asked for an autograph. His hand was shaking, possibly nerves. The next time I heard him in NY, the applause was so loud, the band couldn’t hear themselves…lost their groove for a few moments during the opening composition.

One band I caught at the Ritz, NYC featured Allan with Stanley Clarke, Randy Brecker and Steve Smith, apparently an unrecorded supergroup. Another time at Rutgers, with a Q&A before the show…students asking silly questions, Allan showing off his Synthaxe.

In the early ’90s, I was running around the NAMM show in Anaheim, Ca, taking care of business and noticed Allan sitting at the Carvin booth, signing autographs. I’m sorry I couldn’t stop and chat, even though he couldn’t have possibly remembered me.

A radical, brilliant, humble musician passing away far before his time.

Berlin, Stewart, Bruford and Holdsworth

The ultimate progrock band, Bruford: Jeff Berlin, Dave Stewart, Bill Bruford and Allan Holdsworth.

Microtonal Projects' BLOG

we promote, research, perform and educate

Musica Kaleidoskopea

a kaleidoscopic view of music

The Canterbury scene(zine) continued....

Random ramblings nearly 30 years further on from a Canterbury scene veteran

David Beardsley

microtonal guitarist and composer

The Hum Blog

a blog for the-hum.com

Luminiferous Aether Drift

This massless business

J.C. Combs

acoustic and electronic arts

Ted Greene Archive

Immortalizing Beauty Through Music

Atonality.net

thoughts about music by David Beardsley

New Music Buff

Random perspectives from an informed new music fan.

…after…

thoughts about music by David Beardsley

The Watchful Ear

thoughts about music by David Beardsley

Field Stations and Outposts of Anaphoria Island

thoughts about music by David Beardsley

Make Your Own Taste

Eclectic reviews of ambient, psychedelic, post-rock, folk and progressive rock ... etc.!

Articulate Silences

Tacet / Tacet / Tacet

David Rothenberg

musician, composer, author and philosopher-naturalist

Professorscosco

Scott Healy's Jazz Composition Blog: Writing, Arranging and Listening

Avant Music News

A source for news on music that is challenging, interesting, different, progressive, introspective, or just plain weird

Do The Math

thoughts about music by David Beardsley

grexsounds

Just another WordPress.com site

Music : NPR

thoughts about music by David Beardsley

destination: OUT

thoughts about music by David Beardsley

Sequenza21/

thoughts about music by David Beardsley

Renewable Music

thoughts about music by David Beardsley

Miniatures Blog

thoughts about music by David Beardsley

thoughts about music by David Beardsley

Mixed Meters

thoughts about music by David Beardsley

PostClassic

thoughts about music by David Beardsley

Bob Gluck's Blog

Just another WordPress.com site

Today Is The Question: Ted Panken on Music, Politics and the Arts

My thoughts and writings on jazz and the world around it.

davidtoop

a sinister resonance

PostClassic

Kyle Gann on music after the fact